Advanced Learning Retouching & Photography Courses
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Autodesk Maya 2022 Mac
Limited Time Till October 17
Autodesk Maya 2022 Windows
Limited Time Till October 17
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Learn Stylized Run In Maya
Learn efficient 3D animation workflows by delivering a professional looking, anime inspired, stylized female run animation in Autodesk Maya. This course is designed for beginner animators who understand the basics of the workflow but struggle to give their animation that level of quality and believability typical of professional products. Together with walks and jumps, runs are one of the key blocks of body mechanics animation. Mastering those essential movements in 3D animation gives you the confidence and skills to control your human characters in more articulated body mechanics shots. At the end of this course you will be able to confidently animate a stylized run, interpret reference footage for animation, and adopt the same techniques professionals employ to produce industry standard animations.
You will learn about:
– Working with video references
– Identifying and designing the key poses of a run
– Troubleshooting posing
– Mirroring poses using Red Studio 9
– Setting up priorities for splining
– Animation splining and polishing workflows
– The course will employ industry standard software Autodesk Maya, but the same principles can be applied to any 3D package.
You will learn about:
– Working with video references
– Identifying and designing the key poses of a run
– Troubleshooting posing
– Mirroring poses using Red Studio 9
– Setting up priorities for splining
– Animation splining and polishing workflows
– The course will employ industry standard software Autodesk Maya, but the same principles can be applied to any 3D package.
Maya for Beginners 3D Modelling
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Photorealistic Character Look In Maya Learning Guide
Info:
Whether it’s in movies, TV shows, music videos, or video games, digital humans are everywhere. This comprehensive workshop by Sefki Ibrahim demonstrates how he approaches the look development of a digital double, and covers his complete process for lighting, shading, and rendering using Maya and Arnold.
Starting in Maya, Sefki shares his techniques to light the character model, utilizing area lights, HDRI maps, and light blockers to establish the right mood before adjusting the camera to achieve the very best likeness of his digi-double.
The look-dev process begins with the set up of the shaders for the eye geometries, including the sclera, iris, pupil, caruncle, and meniscus, using the Arnold Standard Surface shader. Once the eyes are in place, Sefki demonstrates how to set up the skin shader, plugging in texture maps and fine-tuning values for a photorealistic finish.
The workshop advances from there into some procedural techniques that will push the look of the skin using specific nodes in the Hypershade window. Finally, the tutorial concludes with shading the hair groom using the Arnold Standard Hair shader, as well as setting up a leather and cotton material for the clothing.
Whether it’s in movies, TV shows, music videos, or video games, digital humans are everywhere. This comprehensive workshop by Sefki Ibrahim demonstrates how he approaches the look development of a digital double, and covers his complete process for lighting, shading, and rendering using Maya and Arnold.
Starting in Maya, Sefki shares his techniques to light the character model, utilizing area lights, HDRI maps, and light blockers to establish the right mood before adjusting the camera to achieve the very best likeness of his digi-double.
The look-dev process begins with the set up of the shaders for the eye geometries, including the sclera, iris, pupil, caruncle, and meniscus, using the Arnold Standard Surface shader. Once the eyes are in place, Sefki demonstrates how to set up the skin shader, plugging in texture maps and fine-tuning values for a photorealistic finish.
The workshop advances from there into some procedural techniques that will push the look of the skin using specific nodes in the Hypershade window. Finally, the tutorial concludes with shading the hair groom using the Arnold Standard Hair shader, as well as setting up a leather and cotton material for the clothing.
Photorealistic Character Creation In Maya Learning Guide
Content: HD videos + Project file
Duration: 10hours 30mins
Software: PureRef; ZBrush2020/2021; Zwrap; NanoTile Texture plugin; XNormal; Photoshop(Any version above 2014); Maya2020; XGen; Arnold for Maya2020.
System: No specific requirements.
Project file: Lecturer provided
Duration: 10hours 30mins
Software: PureRef; ZBrush2020/2021; Zwrap; NanoTile Texture plugin; XNormal; Photoshop(Any version above 2014); Maya2020; XGen; Arnold for Maya2020.
System: No specific requirements.
Project file: Lecturer provided
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